Monday, January 2, 2012

Ramshackle

I wrote the following poem over 30 years ago. It was inspired by an Andrew Wyeth painting titled "Tenant Farmer," which depicts a farmhouse in Chadd's Ford, Pennsylvania. The muted colors and stark landscape in the painting capture perfectly the light and chill of an autumn afternoon during hunting season. As is the case with so much of Wyeth's work, the details of the house are suggestive of the lives within.

A stark willow displays its gem,
a stiff deer hanging
like some machined gadget in a drafter's kit.
Or like the house,
indifferent.
The house, smoky-bricked and shattered,
straining to remain complete.
A dwelling jigsaw-puzzled.
Windows seek each other in crazed masonry,
but one, uppermost, yawns open
to inhale the storm's grey cold.


Saturday, November 19, 2011

Embellishment

Here is another story from long ago (30+ years). I recall being energized by the range of authors I was reading, beyond those assigned in English class. Barth, Barthelme, Pynchon--these were my heroes at the time. Now, years later, I still get a tremendous kick from their work.


Frank looked up at the red plastic sword stuck through the olive on his plate. it was a green olive, and it was stuffed with pimento. he did not like green olives. he did not like green olives stuffed with pimento, either. He was rather fond of black olives, though.

"Goodbye, he said," he said to the cashier, as he paid the bill. It was from something he had read.

When he arrived at his apartment, it was dark. Frank took off his jacket and went into the kitchen. He was quite hungry. On the way to the refrigerator, he tripped on something. Switching on the headlights, he saw that it was one of Mrs. Fitzpatrick's shoes. He had forgotten to repair them, and she was supposed to recharge them that night.

"Damn it, son, what's gotten into you?" asked the chunk of Camembert on the table.

"Shut up, you!" Frank said, as he pinned the bit of cheese to the table with a steak knife. The Camembert screamed. Justifiably.

Frank went to Mrs. Fitzpatrick's apartment. It is on another floor, Frank thought, as he stood at the door with her shoes. He rang the doorbell, and she answered.

"Here are your shoes. I am sorry I did not fix them."

"Never mind," she said. "I picked up some enamel on the way home so I could fix them myself."

"Ah!" noted Frank, realizing her intelligence. "It seems to transcend granite," he added.

"Verily," she replied. 

The door shut.

Frank walked back to his apartment. He decided to take the elevator. He pressed a white button. It lit up. There was a plastic palm tree in a yellow vase beside the elevator. There was dust on the artificial plant. The elevator answered. Frank said nothing. Justifiably. What was there to say?

Frank went into his apartment and turned on the fog-lights, in addition to the standard headlights.

What was that? Frank listened intensely. It was the water-floss in the bathroom, chattering away to itself. Frank resolved to put a quick stop to it. This he did quite effectively by tying a knot in the rubber hose running from its base to the transparent tube at its tip. It had been determined to put up a fight, writhing about. 

In agony, no less. 

Frank knew it was finished when the the rubber hose burst.

He went into the living room and decided to think on the sofa. He thought (about it) and slept.

On the lawn, the ceramic donkey brayed loudly, while the sea horse with pink scales swam convincingly about the blue-mirrored ball on its concrete stand. Don Pedro's sombrero was peeling, but no matter. There was much work to be done. Tractor tires could always be painted white and buried (halfway) on either side of the mailbox. There was always room for another weathervane. (Perhaps the one at Henning's Garden City...Yes, that one...No, no, no, not that one...Not the one with the carved sailor harpooning Moby Dick, either...the one with the little milkmaid in the yellow frock and the cow...It's quite a handsome cow, actually...Tan and white...It would add a kind of domestic dignity, don't you think?...Yes...Yes...Yes?...Yes, it does portray the clean way of life...Universal husbandry!...I know that...Tomorrow...Tomorrow, I'll take Santa's rocket ship off the roof...Because the wiring's tricky!...Whatever happened to those space helmets we had for the reindeer?...What?...Just tell her that if her pooch tries to rust our cast-iron geese again, I'll have it stuffed...I know they're close to the property line...Because that's where I want them...They look fine there...I don't feel like explaining it any further...I just want them there, so it looks as thought they're thirsty and going for a drink, which not only explains the goldfish pond, but that Rumplestiltskin with the watering can...Rumplestiltskin certainly did have a white beard!...The hell he did!...I'm leaving!...You've got another thing coming if you think all elves wore cute little slippers with bells at the toes!

Click goes a tape recorder (somewhere).

Saturday, November 12, 2011

Shots

I wrote the following story many years ago. 33 years ago, in fact. I was in high school and had discovered the metafiction pastiches of Donald Barthelme. I can see his influence—and Beckett's—in this particular piece, but I like to think there is something of the off-center slant that continues in my current work. 


"For Godsakes, grow up, Wulfhund."

"Easier said than done. Easier to articulate than activate."

They argue as to whether Hitler had charisma or not."

"He could gesticulate. But arbitrate? I think not."

"Some can, some can't. Some will, some won't."

"Some do, some don't?"

"---- ---."

"And what do we do? Who are we?"

"Who aren't we?" replied Wulfhund, marking the trousers with quick, deft strokes of the tailor's chalk. "We don't make money, and we don't spit teeth."



Wulfhund and Jeremy have acquired a reputation and all of its trappings: identity crises, misplaced change, dust.

Sometimes they rifle through cigarette machines, seeking slug coins. They no longer mark trousers, adjust hems; instead, they drive on the turnpike in Jeremy's Rambler, trying to "...consolidate..." things.

Themselves. They stay in Holiday Inns, thinking about who they aren't, about owning a hunting lodge on Baffin Island. A place where they "...could hunt polar bears with machine-guns..."

Now they watch television at a Quality Motor Inn. But, as Wulfhund has seen Death of a Salesman, they know that "...failure's waitin' 'round the bend..."

"But what will we fail at?"

"What won't we fail at?"

"Pessimist!"

"                ;         ,               ,                         ."



The television is still on and the sink and bathtub have overflowed and are running onto the orange-and-ochre shag rug and

Wulfhund brushes lint from his beret on a PanAm flight to Dublin.

Taking pictures in profusion. Kodak Brownie, dated Leica, assorted lenses.

Shot of cobblestones. Shot of cat. Shot of newspaper vendor. Shot of newspaper. Shot of newspaper against sky. Shot of Jeremy gesticulating obscenely.

Wulfhund and Jeremy bum a lift to Londonderry. Purpose: "...to take artsie shots..." This they do without hesitation.

Shot of rusting Mini Morris. Shot of shoe reflected in hubcap. Cheap shot of Jeremy sprawled on street, doused with ketchup. Shot of doorstep.

They seek bombings, wishing "...to portray the guts and steel..."

Jeremy books them a room in the Hotel Viscount.

The television is on, and Jeremy puts an edge on his scimitar; Wulfhund mounts a flashlight on his .22 with black electrician's tape. An I Love Lucy rerun comes on the television, and they look at the set and then at each other.

Jeremy: Do you remember the time little Ricky played the drums and sang "Babaloo"?

Wulfhund: No.



Sunday, October 2, 2011

Homogenized Blogging: Why Google Scribe scares me

While updating this blog earlier, I noticed a promotion announcing the launch of Google Scribe. The announcement asked "Do you ever find yourself writing slowly, staring at a blinking cursor or looking for words to express yourself?"

Well, yes. 

For most of us, that's what writing is all about--the careful selection of words and the thoughtful assembly of those words into sentences, paragraphs, whole narratives. 

Apparently the folks at Google Labs believe such endeavors to be a problem worthy of a solution. So Google Scribe promises to offer text suggestions and an auto-complete feature--all to help us write "more efficiently."

I don't know about you, but when I'm writing, I'm striving for eloquence, rather than efficiency. My goal is to say things in a way that could only come from me--not a lab. I'll go out on a limb and posit that hearing the voice of the individual is the reason that I--or any of us--read and follow blogs in the first place.

 If every blogger were to embrace Google Scribe, we might as well simply create one über-blog and take turns posting. 

Who wants to go first?

Tuesday, September 27, 2011

Just a quick post to announce that my story, "A Place on the Wall" is now Squawk of the Week on Squawk Back, an online literary journal. Check it out at http://www.thesquawkback.com/

Saturday, June 11, 2011

The Freelancer




Riley Brickle sucks the casing of a Winchester .30-06 hollow-point — the brass cool on his tongue — then uses it to trace the outline of the Maine State flag on the map across his knees.



He taps the bullet on the twin figures flanking the state seal, the mariner and the farmer, and thinks about his slide from one to the other. He will be the first Brickle in four generations who won’t haul the bulk of his living from the sea. The boat holds once heaped with iced cod and haddock are now nothing more than stories his father tells after too much Canadian Club. The groundfish are gone; the Gulf of Maine is a vacant aquarium. The mariner is dead.
Men who once captained their own fishing boats are lucky if they can find work in the seafood section at the local FoodFair. Those like Riley, who know they could never hack a job dishing up McLobsters at Micky D's or stocking shelves at L.L. Bean, try their hand at diving for sea urchins and scallops when they can scrape together enough money to have their scuba tanks filled. There are Japanese brokers on every wharf from Kittery to Quoddy Head, and they pay a decent buck, shipping the urchins overnight to Tokyo for their mustard-colored roe; but diving is a bitch even when it’s good, and that’s damned seldom. Working two- and three-hour shifts in 35-degree water has given Riley the swollen, gumball knuckles of an arthritic; He laughs and says, "Some pretty, hunh?" whenever some girl in a bar runs her fingers over the pattern of wounds from urchin spines on his arms. Both the line and the bust-ass work have gotten old.
So he’s onto something better. A win-win situation was how the Indian had put it. The guy had a funky name — Running Bear or Blue Moon — and wore a lot of turquoise jewelry. He didn’t look red-skinned as much as sun-tanned, with swoopy gray hair pulled back into a ponytail. Gray Wolf — that was his name. He sent over a pitcher of beer at the Black Sail one night and sat down beside Riley, talking like they already knew each other. No accent or anything, but what the hell? It wasn’t as if Riley had ever hung out on a reservation or anything. Gray Wolf said he owned a business out on Route 1. Said to stop by, have a few pops, shoot the breeze. 
A few days later, Riley took him up on it, showing up just before the place closed. There was a mildewed teepee out front, and a sign that said it was some kind of arts center. Gift shop was more like it. He had to hand it to the guy, there was a lot of inventory: counters filled with turquoise stuff, beaded moccasins, totem pole thermometers and rubber tomahawks for the tourists, some paintings of braves on the warpath that Riley wouldn't have minded buying if he had money to blow. 
When he strolled up to the cash register, Gray Wolf looked up from a copy of Rolling Stone and said, "Hey, Brickle." If anything, Riley was the one who had been a little rattled. Not that he showed it. He just glanced around and said, "You didn't have me come all the way out here to admire the souvenirs." 
The Indian put up the Closed sign, locked the door and got a couple cans of Michelob from a refrigerator in a back room somewhere. By the time they killed the six-pack, Riley knew as much as the guy was going to tell him about the situation. "See," Gray Wolf said, "You win, I win." If he was telling the truth, it will be a hell of a lot better than risking the bends every day as an urchin diver.
Now Riley is sixty miles from the Atlantic, at the end of a course he has charted across asphalt and dirt back roads to 200,000 acres of pristine National Park. 

Back to the land. 

He tosses the map aside and checks the logging road in the rear-view mirror, catching a glimpse of his reflection. The whites of his eyes are the color of ivory and webbed with inflamed blood vessels. Thirty-nine freakin years old and he looks like a punk who's just smoked a joint. He throws the Ford pickup into first gear, bouncing over the drainage ditch at the side of the road as he steers into a small clearing in the pines. 


Within twenty minutes, he’s sawed enough tree limbs to disguise the boxy profile of the truck. Seen from the road at 55 miles-per-hour, the pickup will look like a heap of blown-down timber. Not worth a second thought.
Pulling on a set of camouflage coveralls, he stuffs a box of hollow-points into the chest pocket and unlocks the toolbox behind the cab. He removes a Remington bolt-action rifle, a hunting knife and a couple of Ziploc plastic bags, relocks the box and starts off into a shaded gully.
Ain't life a joker. He tightens the straps on the rifle sling and thinks about the yearly hunting trips with his father and uncles on the first day of deer season, all of them stumbling around so that somebody could take a shot at a sick buck or worse — an undersized doe. He would rather have stripped down an engine or messed around with some girl down by the lighthouse. He wonders what his old man would think of him now, knocking around where the roads are unnamed and you can plug everything in sight without having some hard-ass game warden come down on you.
Still gotta watch it. Seems every day the tree-huggers and anti-nukers are mouthing off in the Press-Herald, telling folks to love Mother Earth and boycott the local fish markets. Hell, they’re the reason he’s out here in the first place.
The sun has nudged above the treeline. The massive trunks of the first growth timber cast black bars across the forest floor. Riley weaves through the trees, his boots treading silently on tufts of moss and pine needles. He stops every so often to listen to the forest, checking off the noises in his mind: the sweepy sound of pine boughs, the stream chuckling over a bed of stones, the creak of a dead limb overhead.
But there is something else — a hard splash from somewhere along the stream below him. Riley slips the rifle off his shoulder and moves toward the sound, keeping close to the pattern of shadows.
There it is again. A crisp slap against the water, just beyond the knoll in front of him, then a weak mewling sound. His second trip out, and now there’s some kind of hitch. Riley feels in his pocket for a bullet, works the rifle bolt back, and eases the round into the chamber. He blinks back a trickle of sweat and begins a slow crawl, stopping when he reaches a granite spine above the stream. He sucks in his breath, straining to hear over his knocking pulse, then rolls to his feet and fits the butt of the rifle stock to his shoulder.
A black bear cub smacks at its reflection on the surface of the stream, then scampers up the bank, its glossy fur reddish at the tips against the curtain of sunlight.
Riley lowers the rifle and grins. Well, hell, look who we got here. BooBoo freakin bear. Hey there, little fella, ain't you a cute one. Run along to momma now.
The cub sniffs the air, whimpers faintly, and waddles away from the stream up a slight rise. Riley trails behind at a distance, striding over granite slabs that will be clotted with blueberries in a month. The stony rise tumbles away to wetlands.
Riley hears the cub crash through an alder thicket on the edge of a bog filled with the trunks of drowned birches. He recognizes one of the trees by the branches that curve up to form a fiddle shape. 
Same damn tree. No question. He had only seen it from the other side. Mother Nature. She'll twist you around, then drop you right where you were headed in the first place. Just won't know it till afterwards. 

There had been nights at sea when his boat had shuddered under 20-foot swells, her decks caked with ice, the electronics shorted out. Each time, dawn had broken over the water like a furnace door opening, and he found himself within sight of shore. 

His path is stranger this time: a loose arc strung over a mile-and-a-half of broken ground. He was heading for the bog when he left the truck — before he heard the cub and took some kind of ass-backwards shortcut. 

Motherfreakin Nature. Riley has let the cub wander too far ahead. Now he has to work blind, listening for the damn thing in the puckerbrush. He works the bolt on the rifle, checking the round. Give Momma a proper greeting.
He hears the cub snuffling in the brambles thirty yards off. It gives a little cry and charges forward before he can swing around and get ahead of it. BooBoo’s got some speed for a little guy.
Riley follows into the tangle of saplings. He doesn’t know shit about bears except for what he’s seen on Animal Planet. What the hell is there to know? I’m the one with the gun.
When Riley comes out of the trees, the cub is licking the paw of a hulking sow bear that has backed up against an old spruce. Riley raises the rifle, tightens his grip on the stock. Hey, Big Momma. Been expecting you. 

One of the sow's front legs is locked in the steel teeth of the heavy-gauge trap he had chained to the tree. He had baited it with suet a week before. Flies sizzle over the sow's bloody paw where the trap has cut a raw seam of frayed tendon and wet bone. The sow snarls and shakes its head, trailing strings of pink foam from its jaws. 
Riley presses the gunstock to his shoulder. Settle down, girl. Mother Nature's had a change of plans.

The sow comes at him in a black rush of muscle and rank breath that whips the trap chain against the tree. Riley pulls the trigger as the chain bites into the bark, yanking the sow off balance. He fumbles for another bullet in his pocket, scattering several to the ground, then works the bolt on the rifle and chambers a round. Time to smoke old Smokey. 
The sow swats the air and lunges forward, ringing the steel links of the chain. Fish in a barrel. Riley puts the second round just in from the right shoulder, then adds two more. The sow gradually stops moving, like a cheap toy winding down. Now where the hell is BooBoo? 

Riley stalks in a wide circle, searching the brush with the rifle at waist level, his finger hooked through the trigger guard. As he cuts back toward the dead sow, he spots flakes of bark tumbling through a ribbon of sunlight. The cub is about 20 feet up a fir tree, looking like a stuffed animal at a carnival midway. Knock down the milk bottle, win your girl a prize. 

Riley walks around the tree to a spot where the sun is behind him, then drops the cub within ten feet of where he’s standing. What’s the word the NRA boys use for hunting? Harvesting. Like everything’s a crop to be picked or something. Hell, this is easier. Like plinking beer cans. 
Riley's arms are gummed with blood to the elbows before he gets the hang of gutting out the cub. Even this chore has its rewards. Keep the skin for a bathroom rug. Something to keep his feet warm while he sits on the can. But the Indian said No souvenirs. Riley reaches inside the opening he's sliced along the belly of the cub, finding the gall bladder right where Gray Wolf said it would be. 

Paging Dr. Brickle. 

He cuts the organ free and drops it into one of the Ziploc bags. Great commercial. See how it seals in freshness. 


He leaves the carcass for the coyotes and wanders over to work on the sow, wishing he’d brought a camera and a pack of Camels along. Get a shot of Smokey the Bear offering a light. 
The sow takes more time than the cub. It’s freaky, reaching inside the steamy bulk of a creature that could have torn him apart only a half-hour before; it reminds him of all the bluefin tunas he’s caught and reduced to heaps of flash-frozen steaks. 
After bagging the sow’s gall bladder, Riley wipes his hands on some leaves and stows the pair of steaming organs in the chest pockets of his coveralls. He reminds himself to pick up a sack of ice at a package store in Millinocket, keep the gall bladders chilled. Maybe treat himself to a six of something and have a nice little buzz going by the time he reaches Buck’s Cove. 


Riley 






Brickle, this Bud’s for you. 

























Tuesday, May 31, 2011

2008 Volvo…Monday…2:17 a.m.…77 m.p.h….


What is there to say when the unspeakable is…?
The phrase escapes me. Ironic, given that I earn my living telling corporate stories, crafting annual sagas illustrated with compelling financials for the benefit of key stakeholders, these being consumers and investors.
Visited—that’s the word.
When the unspeakable is visited upon you.
Upon your family.
Your child.
            Like the rest of America, I’d read the headlines, watched the crime docutainments, consuming the re-warmed cold cases and counting the minutes before the doors were kicked in and justice was served at the top of the hour. But it was all at arm’s length—or farther—viewed on silent screens while I emailed clients from airports where men like myself—husbands and fathers on vacation—grew annoyed with looping questions from their children.
            Kids like my son.
            I have nothing but questions of my own now, endless fodder for frustration. But the irritation isn’t there. Where is the anger that once smoldered around me every morning on the drive into Manhattan and lingered after heated discussions with finance guys?
            What I wouldn’t give to be pissed off right now.
            Gwen has her yoga, her women’s groups, her centeredness.
            I have inertia.
            Just north of Stamford, a sign along I-95 announces Vacancy at a motel with an all-you-can-eat Indian buffet. Proof that there’s nothing like the hospitality of the American road.
            In this spirit, I extend an invitation to rage:
Welcome.
Come on in.
Visit anytime.
            But I already have a guest—my conscience—a presence both quiet and unfailingly polite.
            I pray that riding shotgun with me will change that.